![]() The Velvet Underground has so much going for it that it didn’t bother me that it ends like all these things do, with a quick montage and some vague ideas about immortality. Nobody likes The Doors recordings without Jim Morrison, but that doesn’t mean they didn’t happen. Listening to Yule talk about Squeeze is probably only interesting to a handful of die-hards but, well, it’s part of the story of The Velvet Underground. None of that makes it into this Velvet Underground doc, which strives to preserve the illusion, as these kinds of movies always do, that the best stuff happened when the charismatic guys were around. And Yule recorded the fifth Velvet Underground album Squeeze basically by himself. Tucker lead a pretty unique life, let’s say, which gets comically short shrift here. I could talk about it all night long.) Nico released some of the most iconically strange music of the 20th century. (If you ever need to distract me, ask about his solo career. Experience the iconic rock bands legacy in the first major documentary to tell their story. Earlier in 2021, British film-maker Edgar Wright released The Sparks. The Velvet Underground: A Documentary Film by Todd Haynes (Music From the Motion Picture Soundtrack) The Velvet Underground: 1: Album + Compilation + Live. Plus, it relies on both archival and abstract footage (movies like Maya Deren’s Meshes of the Afternoon and Shirley Clarke’s Bridges-Go-Round make appearances as textural underpinnings of the mission of the art of the Velvets), which frequently recalls the light and images used during Warhol’s Exploding Plastic Inevitable artistic freak-outs settings where the Velvets themselves frequently played.Ĭale became one of the best singer/songwriters of the ’70s. The Velvet Underground isnt the only recent film made by an influential director about a band, or bands, from that era. ![]() You can find out more about self-rating by streaming providers here. The film employs split-screen images for most of its two-hour running time, a conscious homage to films like Andy Warhol’s Chelsea Girls. Why did it get this rating This film was self-rated by Apple TV. ![]() He’s trying to make a film about The Velvet Underground that feels of a piece with the kind of film art that the band itself took part in and endorsed. Named after Michael Leigh’s 1963 book about the sexual subculture, The Velvet Underground Reed, Cale, Tucker, and Sterling Morrison were as real as the city streets and as psychedelic as. The Velvet Underground is also a very normal kind of exercise - the biodoc about a musical act, maybe the most popular form of nonfiction filmmaking after true crime the last decade - even if he still tries to imbue it with his own brand of ardent and literate cinephilia.
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